The categories every entry is read through: arrival, rooms, dining, public space, surroundings
Each property in the catalogs is written through the same five lenses. Arrival covers how the building meets the road or shoreline. Rooms describe the lodging character without inventing counts or floor plans we were not given.
Dining notes whether meals feel central to the destination, without naming restaurants that sit outside our supplied facts. Public space includes lobbies, gathering rooms and, where relevant, gaming floors as part of how people move through the building.
Surroundings close the reading — mountain, waterfront, countryside or downtown context that changes the stay once you step outside. Keeping these five categories fixed lets a prairie resort and a riverside tower sit in the same editorial frame.